Madonna and Child between Saint Jerome and Saint Peter – Musée Condé – Chantilly
The panel, dating to about 1490, was realized in collaboration with Andrea D’Assisi, called L’Ingegno, who according to Vasari was the best student of Perugino.The
The panel, dating to about 1490, was realized in collaboration with Andrea D’Assisi, called L’Ingegno, who according to Vasari was the best student of Perugino.The
The two panels, depicting Saint John the Baptist and Saint Lucy (or Saint Illuminata from Todi) were part of one of the largest and most
The small panel, along with four other panels depicting episodes from the life of Christ, currently preserved at the Art Institute of Chicago, once constituted
The panel was originally conceived as predella panel for the Pala Tezi, that Perugino realized in about 1500 for the Chapel of the Tezi family
The painting, probably realized in Florence between 1495 and 1500, depicts the Madonna, seated in the foreground facing the viewer and gently holding the Child,
The painting was probably commissioned to be used as a processional banner by the Brotherhood of Sant’Agostino of Perugia: the composition in fact recalls the
The panel depicting Saint Bartholomew was part of the Polyptych of Sant’Agostino, a majestic two-faced altarpiece commissioned by the Augustinian friars and realized in two
The work, purchased in Rome, depicts in the foreground the Madonna, richly dressed in a dress with a decorated neckline and sitting on a pedestal,
The two tables depict respectively the Resurrection and the Baptism of Christ; given the symmetrical construction of the compositions and the small size, they were
Perugino realized four of the six compartments of the complex altar machine known as the Polyptych of the Certosa di Pavia; the work was completed