Lamentation over the Dead Christ – National Gallery of Ireland – Dublin
The panel, dating back to about 1495, depicts the mourning over the dead Christ: the Virgin is sitting exactly in the center of the composition,
The panel, dating back to about 1495, depicts the mourning over the dead Christ: the Virgin is sitting exactly in the center of the composition,
The panel, originally part of the Polyptych of Sant’Agostino, depicts Saint John the Evangelist (or Saint Philip) and Saint Augustine. The painting was realized for
The work, dating back to the first decade of the sixteenth century, was acquired in 1947 by the Museu de Arte in San Paolo in
The three panels were part of the predella of the Polyptych of San Pietro, and according to the reconstruction were originally interspersed with the figures
Conceived as the central compartment of the Polyptych of San Pietro, the scene portrays in the upper register Jesus in an almond of cherubim as
The two tondos were originally part of the dismembered Polyptych of San Pietro, and, according to the reconstructions, were located on the sides of the
The work, which currently looks like a tondo even though its original shape was square or rectangular, comes from the double-sided polyptych conceived for the
The work, tranferred to France during the Napoleonic requisitions and currently preserved at the Musée des Beaux-Arts in Lyon, was part of the Polyptych of
The work was conceived as part of the Polyptych of Sant’Agostino, a majestic two-faced altarpiece commissioned by the Augustinian friars and realized in two phases
The work dates back to 1505, and the composition vaguely recalls the famous Virgin of the Rocks by Leonardo da Vinci: the Madonna is in