Predella tablets, Polyptych of San Pietro – Pinacoteca Vaticana – Vatican City
The tablets belonged to the predella of the large altar machine of the church of San Pietro in Perugia.After the first dismemberment of the work,
The tablets belonged to the predella of the large altar machine of the church of San Pietro in Perugia.After the first dismemberment of the work,
There isn’t any record regarding this fresco attributed to Perugino, but it was probably executed during the renovation works of the small church dedicated to
The portrait depicts a young man without a beard, with long hair and a black cap. Based on the juxtaposition of the physiognomic features between
The panel, of small size, was probably conceived as a predella panel for an unidentified altarpiece and depicts Saint Jerome penitent: the saint is indeed
Dating back to about 1490, the work depicts Saint Jerome kneeling in the foreground, while he’s slightly turned to the right with the expressive gaze
The two tondos can be dated back to about 1520 and were probably part of a predella: the two figures are in fact built in
The work dates back to 1488 and portrays Lorenzo di Credi, a pupil of Verrocchio like Perugino himself; the painter is depicted in the foreground,
Seated in the foreground, this sweet Madonna gently holds Baby Jesus, resting on her knees, in her arms. The Virgin is elegantly dressed in a
The Crucifixion with Saints, realized in 1485 for a chapel in the Dominican church of San Gimignano commissioned by Bartolomeo di Bartolo, was purchased in
In a rural landscape, the Madonna, Saint John the Evangelist and a holy bishop (identifiable with Saint Nicholas or Saint Augustine) are portrayed in adoration