Adoration of the Shepherds – Victoria & Albert Museum – London
The fresco, originally executed in the Oratorio della Confraternita dell’Annunziata in Fontignano, was detached and transferred to a triangular canvas. Realized in 1523, it is probably
The fresco, originally executed in the Oratorio della Confraternita dell’Annunziata in Fontignano, was detached and transferred to a triangular canvas. Realized in 1523, it is probably
The four panels currently preserved at the Art Institute in Chicago, along with another depicting the Resurrection, now in the Metropolitan Museum of Art in
The panel, whose origin is unknown, depicts the Madonna and Child with Saint John in the foreground; the characters stand out on a hilly landscape
The two panels, depicting Saint Helena and another unidentified Saint, were originally part of the Pala della Santissima Annunziata, one of the largest and most
The work dates back to 1505 and was probably originally part of a larger canvas. The fragment is in fact evidently cut out and represents
The table, probably originally conceived as a predella panel together with its twin showing the Birth of the Virgin (now at the Walker Art Gallery
The miniature depicts the Martyrdom of Saint Sebastian: the Roman soldier was in fact condemned to death because of his Christian faith, and the theme
The altarpiece, commissioned to Perugino in 1496 by the Duke of Milan Ludovico Sforza (known as il Moro) and completed in the firts years of
The painting, dating back to about 1507, was commissioned to commemorate a carpenter from Perugia, Giovanni di Matteo di Giorgio Schiavone, to adorn the family
Within a rounded frame,standing beyond a low gray wall, the Virgin Mary gently holds Baby Jesus naked, the plump feet resting on the parapet. The