Adoration of the Shepherds – Galleria Nazionale dell’Umbria – Perugia
The lunette, like the Pala Opistografa preserved in the same museum, comes from Monteripido monastery: the monks commissioned it for one of the two chapels
The lunette, like the Pala Opistografa preserved in the same museum, comes from Monteripido monastery: the monks commissioned it for one of the two chapels
This large fresco, executed by Pietro Vannucci together with his assistants for the church of the order of the Disciplinati or of the Bianchi, located
The compositional scheme of this table, which originally was a votive offering, often recurs in the work of Perugino, such as in San Francesco with
The work was probably originally housed in a rural shrine, before being moved to the church of Sant’Antonio in Bettona; in 1987 it was stolen
The Adoration of the Magi,Magi was originally painted for the church of Santa Maria dei Servi in Perugia: this church no longer exists, as it
The work was commissioned to Perugino for the monastery of the Poor Clares nuns of Sant’Agnese monastery, a cloistered community still active in Perugia, in
The work repeats a recurring scheme in the works of Perugino from the same subject, representing Saint Jerome as a hermit, kneeling in front of
The altarpiece is in Città della Pieve, birthplace of Pietro Vannucci, located in the central part of the apse of the Cathedral dedicated to Saints
The panel was made to adorn the new chapel dedicated to Saint John the Baptist in the Cathedral of Spoleto, built according to the will
The Nobile Collegio del Cambio is the ultimate expression of Perugino’s style in Perugia. Vannucci, at the peak of his career in Umbria, in 1499 received