Assumption of the Virgin – Corciano
On December, 18 1512 Pietro “de Castro Plebis” signed a contract with the procurator of the church of Santa Maria, Antonio di Cristoforo Ciacci and
On December, 18 1512 Pietro “de Castro Plebis” signed a contract with the procurator of the church of Santa Maria, Antonio di Cristoforo Ciacci and
The fresco is painted in the back wall of the church of San Sebastiano. Saint Sebastain is represented during the martyrdom, by the soldiers of
The monumental fresco was realized by Perugino within a masonry shrine topped with a lunette, hollowed out in the wall, surmounted by an attic and
The execution of the painting, together with the one of the Virgin Enthroned, was assigned on March 8, 1521 to Pietro Vannucci by the canons
The work is realized by Perugino inside the church of Santa Maria Maggiore, in Spello, in the chapel next to the main altar, along with
The paintings in Fontignano are the last executed by Perugino during his life: now old, he was caught by the plague while working in the
The work was commissioned in 1505 by the Camaldolese monks, living in the monastery and church of San Severo built at the highest point of
The Polyptych of Saint Augustine is a large complex of tables (dismembered and partially lost) realized by Perugino and his assistants in two phases (1502-1512
The panel was originally conceived as cymatium for the large two-sided polyptych for the church of Sant’Agostino in Perugia. The historian Serafino Siepi reports that
The tablets belonged to the predella of the large altar machine of the church of San Pietro in Perugia.After the first dismemberment of the work,
