Penitent Saint Jerome – Kunsthistorisches Museum – Vienna
The panel, of small size, was probably conceived as a predella panel for an unidentified altarpiece and depicts Saint Jerome penitent: the saint is indeed
The panel, of small size, was probably conceived as a predella panel for an unidentified altarpiece and depicts Saint Jerome penitent: the saint is indeed
Dating back to about 1490, the work depicts Saint Jerome kneeling in the foreground, while he’s slightly turned to the right with the expressive gaze
The two tondos can be dated back to about 1520 and were probably part of a predella: the two figures are in fact built in
The work dates back to 1488 and portrays Lorenzo di Credi, a pupil of Verrocchio like Perugino himself; the painter is depicted in the foreground,
Seated in the foreground, this sweet Madonna gently holds Baby Jesus, resting on her knees, in her arms. The Virgin is elegantly dressed in a
The Crucifixion with Saints, realized in 1485 for a chapel in the Dominican church of San Gimignano commissioned by Bartolomeo di Bartolo, was purchased in
In a rural landscape, the Madonna, Saint John the Evangelist and a holy bishop (identifiable with Saint Nicholas or Saint Augustine) are portrayed in adoration
The altarpiece, dating back to the end of the fifteenth century, depicts the apparition of the Virgin to Saint Bernard, from which it draws its
At the center of a bare setting, where only a balustrade frame the characters, the Madonna is sitting on a four-poster throne raised by a
Dating back to about 1493/1495, the work depicts in the foreground the Virgin, sitting on a barely visible low parapet; she looks towards the viewer,
